Post by SammieSinclair on Jul 12, 2014 11:00:29 GMT
Match Archive
Name: Eliza Bliss
Height: 5'8"
Weight: 120lbs
Hometown: Minister Fields, an Estate outside of London, England, United Kingdom
Fighting Attire: Light purple one-piece swimsuit cut to look an elegant drown (made out of a silk
looking material but much stronger). Thin transparent straps give the impression that it is strapless.
Matching knee pads and high white boots with little treble clefs on the side in black.
Heel/Face: Face
Gimmick: Disgraced opera singer
Fighting Style: Technical/mat combined with surprising ruthlessness. Not afraid to cheat or use a
weighted hair clip as a weapon)
Finishing Move: The Cleft Note (With her opponent laying on the mat, Eliza sits on her opponent's
stomach and pulls their upper body up to a sitting position. She wraps her long legs around her
opponent's midsection and squeezes. At this point her opponent's mouth will open in pain -- then Eliza
takes her right hand and locks on a Mandible Claw, holding onto her opponent's head with her left
hand. Eliza on her opponent's gurgles and screams: "Music to my ears.") The Decrescendo (Unprettier)
10 Common Moves:
1. German Suplex
2. Inverted STF
3. Hanging Neckbreaker
4. Double Underhook Pile Driver
5. Flying Back Elbow
6. Fisherman's Buster
7. Ankle Lock
8. Rolling Neck Snap
9. Reverse Atomic Knee Drop
10. Jumping DDT
Description: Eliza was born to what could be called simple folk, in the small town of Humbole, in
Northern England, far outside the hustle and bustle of London. She was a difficult child, always getting
into trouble, mainly through taunting the other children and spouting off to her elders. Her only
redeeming quality was that she had the voice of an angel. She regularly gave performances at churches
and events throughout the area. At the age of 13 [town] got together and raised enough money to send
her to study in London. (They were also more than happy to relieve themselves of the little bugger.)
Eliza flourished in London. She and her adoptive family -- art patrons Lord and Lady Bliss --
immediately took to each other: they were the snobby parents she always wanted. She excelled in her
voice study, a true prodigy. She made her professional stage debut at 17 in . She was now known as
Eliza Bliss and she became very popular in the British tabloids by dating a sucession of Royals. She
had everything she always wanted...
Until Proms 2004. During a command performance of Handel's Giulio Cesare, Eliza noticed that a
female chorister -- a soprano like she was -- was consistently flat. Eliza tried to have the chorister
removed but was unsuccessful. Finally, in the middle of the perfomance, Eliza could stand no more.
She spun on the chorister and yelled -- shedding her public posh accent for her rougher, native dialect --
"'Ere, why donya jus' sod off, then?" The performance ground to a halt. Eliza didn't notice as she
advanced on the chorister, full of rage. The chorister looked around, fearing this 22-year-old diva. Eliza
knocked the wig off the chorister's head and screamed in her face: "Get off me bloody stage!" The
chorister just stared at her, mouth agape. Eliza let out a primal yell and clawed her right index and
middle fingers and thrust them into the chorister' mouth. She pressed down, screaming "Try an' sing
now, ya cow!" The chorister's gurgles were combined with the cast and audiences screams as they were
separated. One picture was on all the tabs' front pages the next day: Eliza, being held back, in midscream,
her black Cleopatra wig askew. The Sun said it best: "Blissy Goes Balmy!"
Needless to say, contracts were hard to come by after that. And then WOLF called -- they heard about
her exploits on the stage and wanted to know if she was interested. Once they said that would add a
"touch of class" she knew she had to participate. She hired the best trainers (the Bliss family fortune
would be an immeasurable help) and immersed herself, just like with her voice all those years ago. She
had been the best before and she would be again.
Height: 5'8"
Weight: 120lbs
Hometown: Minister Fields, an Estate outside of London, England, United Kingdom
Fighting Attire: Light purple one-piece swimsuit cut to look an elegant drown (made out of a silk
looking material but much stronger). Thin transparent straps give the impression that it is strapless.
Matching knee pads and high white boots with little treble clefs on the side in black.
Heel/Face: Face
Gimmick: Disgraced opera singer
Fighting Style: Technical/mat combined with surprising ruthlessness. Not afraid to cheat or use a
weighted hair clip as a weapon)
Finishing Move: The Cleft Note (With her opponent laying on the mat, Eliza sits on her opponent's
stomach and pulls their upper body up to a sitting position. She wraps her long legs around her
opponent's midsection and squeezes. At this point her opponent's mouth will open in pain -- then Eliza
takes her right hand and locks on a Mandible Claw, holding onto her opponent's head with her left
hand. Eliza on her opponent's gurgles and screams: "Music to my ears.") The Decrescendo (Unprettier)
10 Common Moves:
1. German Suplex
2. Inverted STF
3. Hanging Neckbreaker
4. Double Underhook Pile Driver
5. Flying Back Elbow
6. Fisherman's Buster
7. Ankle Lock
8. Rolling Neck Snap
9. Reverse Atomic Knee Drop
10. Jumping DDT
Description: Eliza was born to what could be called simple folk, in the small town of Humbole, in
Northern England, far outside the hustle and bustle of London. She was a difficult child, always getting
into trouble, mainly through taunting the other children and spouting off to her elders. Her only
redeeming quality was that she had the voice of an angel. She regularly gave performances at churches
and events throughout the area. At the age of 13 [town] got together and raised enough money to send
her to study in London. (They were also more than happy to relieve themselves of the little bugger.)
Eliza flourished in London. She and her adoptive family -- art patrons Lord and Lady Bliss --
immediately took to each other: they were the snobby parents she always wanted. She excelled in her
voice study, a true prodigy. She made her professional stage debut at 17 in . She was now known as
Eliza Bliss and she became very popular in the British tabloids by dating a sucession of Royals. She
had everything she always wanted...
Until Proms 2004. During a command performance of Handel's Giulio Cesare, Eliza noticed that a
female chorister -- a soprano like she was -- was consistently flat. Eliza tried to have the chorister
removed but was unsuccessful. Finally, in the middle of the perfomance, Eliza could stand no more.
She spun on the chorister and yelled -- shedding her public posh accent for her rougher, native dialect --
"'Ere, why donya jus' sod off, then?" The performance ground to a halt. Eliza didn't notice as she
advanced on the chorister, full of rage. The chorister looked around, fearing this 22-year-old diva. Eliza
knocked the wig off the chorister's head and screamed in her face: "Get off me bloody stage!" The
chorister just stared at her, mouth agape. Eliza let out a primal yell and clawed her right index and
middle fingers and thrust them into the chorister' mouth. She pressed down, screaming "Try an' sing
now, ya cow!" The chorister's gurgles were combined with the cast and audiences screams as they were
separated. One picture was on all the tabs' front pages the next day: Eliza, being held back, in midscream,
her black Cleopatra wig askew. The Sun said it best: "Blissy Goes Balmy!"
Needless to say, contracts were hard to come by after that. And then WOLF called -- they heard about
her exploits on the stage and wanted to know if she was interested. Once they said that would add a
"touch of class" she knew she had to participate. She hired the best trainers (the Bliss family fortune
would be an immeasurable help) and immersed herself, just like with her voice all those years ago. She
had been the best before and she would be again.